The last track off the best album of the 2000s (and maybe of this millennium so far?). This track has a great bass groove and guitar lick during the begging verses. the track continues into a Improvisation section that leads into the second chorus. It's after the second chorus where things get interesting.
the middle of the track features alternating bars of 11/8 and 8/8 (or 19/8) with changing tempos and stuff, before the band come back in. this section, of like 8 bars or so, features some of the best drumming ever! Especially in terms of "sounding like you're gonna miss the beat but you don't". I could not imagine playing this song live, I've play-tested this song a crap tonne of times, and I still can't get this section in real life. Jon Theodore, you truly are a master of your craft.
This leads to the only bass solo on the record, and a guitar solo which becomes a sort of a jam (the scabdates version of this track has s really cool interlude here). The chorus comes roaring back in, and we get the outro. This is the most intense thing, the whole album has been building up to this moment, and it's pure musical extacy. And just like that, the song's over.
[color=rgb(40,40,40)][font=helvetica]This is an upgrade from sideshows customs. A while ago I spoke to him about updating various Mars Volta Tracks. All credits for the original drum-only custom go to sideshow and ItalianStal1ion.[/font][/color]